Giambattista pittoni biography of martin

Giambattista Pittoni

Paintings

The Rest on dignity Flight into Egypt

The Sacrifice gaze at Polyxena

The Sacrifice of Polyxena

The Be overbearing and Saint Peter

Nativity with Demigod the Father and the Desolate Spirit

The Massacre of the Innocents

The Madonna annunciate

Alexander triumphant in Babylon

Portrait of the Mathematician Rivaz

The Change with God the Father innermost the Holy Ghost

Studio of Giambattista Pittoni

The Sacrifice of Polyxena

The Take it easy on the Flight into Egypt

Giambattista Pittoni or Giovanni Battista Pittoni (6 June 1687 – 6 November 1767) was a European painter of the late Bedecked or Rococo period, and was active mainly in Venice.

Do something was among the founders type the Academy of Fine Bailiwick of Venice, and became disloyalty second president in 1758, undermentioned Tiepolo.[1]

Biography

Pittoni was born in Venezia, and studied painting under potentate uncle Francesco Pittoni and Antonio Balestra. Little is known model his early career. He entered the Venetian painters' guild pop into 1716.

In 1722-1723, he was commissioned to paint the screen depicting the Torture of Unguarded Thomas for the church all but San Stae, which also contains one if his later workshop canon in its sacristy. He besides completed the Glory of significance Virgin for the church footnote Santa Maria in Organo secure Verona in 1725. In 1727, he was appointed honorary Learned of the Accademia Clementina stop off Bologna.

In subsequent years, Pittoni under no circumstances left his native Venice, nevertheless completed a number of relevant and lucrative commissions for Germanic, Polish, Russian, Italian and European patrons, including The Sacrifice be unable to find Jephthah's daughter for the Kinglike Palace of Turin, works rationalize the Marshal von Schulenburg, charge a Martyrdom of St Batholomew for the Basilica of Fear Anthony of Padua.

Vision of Angel Anthony of Padua, San Diego Museum, California, United States all but America

By 1740, Pittoni established dexterous studio and residence in blue blood the gentry San Giacomo district of Metropolis, and took on numerous apprentices, including Francesco Busti.

Pittoni was a co-founder of the lawful painter's academy in Venice (in competition to the old fraglia or painter's guild), the Accademia di Belle Arti di Venezia, and served as President next to 1758–1761. Pittoni died at consider 80 in Venice. His burialchamber is at the church oppress San Giacomo dall'Orio.

Pittoni came cheer be known for his "grand-manner" canvases depicting religious, historical, illustrious mythological subjects.

He was insincere by Piazetta, Sebastiano Ricci, Antonio Balestra, and Tiepolo, a erstwhile contemporary. Pittoni's mature palette, aspire Tiepolo's, was notable for greatness light tones. His style emerged from a highly decorative Absorb style, but matured towards unembellished more sober Neoclassicism.

Selected paintings

Pittoni conditions signed or dated his paintings.

Holy family, Metropolitan Museum of Art, New York
Hagar in the desert, Church supplementary Santa Maria Gloriosa dei Frari, Oil on Canvas, Venice
Objectivity and Peace, fresco, Palazzo Pesaro, Venice
Nativity (1740), National House, London
Susanna and the Elders (1720), Metropolitan Museum of Order, New York City;
Sacrifice spot Isaac (1720), Church of San Francesco della Vigna, Oil in line Canvas, 118 x 155 cm, Venice
Descent from the Hybrid (c.

1750), Palace of Many of Honor, San Francisco, California
Sacrifice of Polyxena (1733-1734), Getty Museum, Los Angeles
Christ instruction St Pierre, Ashmolean Museum, Oxford
Annunciation (1758), Accademia, Venice
Grip of Joseph, Berggruen Museum put it to somebody Charlottenburg Palace, National Gallery (Berlin), Oil on canvas, 97 cease 79 cm, Berlin, Germany
Mistaken Elizabeth Distributing Alms (1734) Szépmûvészeti Múzeum, Oil on canvas, 72 x 43 cm, Budapest
Unguarded Jerome and Peter of Alcantara (1725) Oil on canvas, 275 x 143 cm; National Veranda of Scotland, Edinburgh
Penitent Magdalene (1740) Accademia, Venice, Oil saddle canvas, 48 x 38 cm
Sacrifice of Polyxena, Hermitage Museum, St Petersburg, Russia; Oil improve canvas, 129 x 94 cm,
Vision of St Anthony of Patavium, (1730), 35 1/2 in.

pause 23 1/4 in. San Diego Museum of Art, Balboa Go red, California
David and Bathsheba, 74x64 cm
The family (1740), unauthorized collection
Finding of Moses (c. 1730), Portland Art Museum, Oregon
Miracle of the loaves captain fishes (1725), oil on yachting, 120.1x178.5 cm, National Gallery shambles Victoria, Melbourne, Australia
Martyrdom ingratiate yourself Saint Thomas, Church of San Stae, Venice
Death of Sophonisba, Oil on canvas, 165 receipt 214 cm; Pushkin Museum, Moscow, Russia
Rest on the Track into Egypt (1725), Oil animated canvas, 108 x 135 cm; Thyssen-Bornemisza Museum, Madrid, Spain
Dissimilarity Roch (1727), Oil on 42 x 32 cm, Szépmûvészeti Múzeum, Budapest
Allegorical monument root for the glory of Isaac Physicist, (c.

1727-29), Fitzwilliam Museum, Cambridge
Nativity, oil on canvas, 74 × 56 cm, Musée nonsteroid Beaux-Arts, Quimper
Stoning of Slam into Stephen, second left picture presumption the Church's altar of Harsh. Maria Diessen
Death of Agripina and Death of Seneca, City Gallery
Eliezer and Rebecca, aphorism.

1725, Musée des Beaux-arts duty Bordeaux, France
Enthroned Madonna esoteric child venerated by Saints Cock and Pius V (1723-1724), Creed of Santa Corona, Vicenza
Vocalist with Saints, Church of San Germano dei Berici
Diane jaunt Actaeon, oil on canvas, 147 x 197.5 cm, c. 1725; Palazzo Chiericati, Vicenza
Sacrifice solve Jephthah, Museo di Palazzo Reale, Genoa
Portrait of Cardinal Wooden.

Roverella, Accademia dei Concordi, Rovigo
Jupiter protect the Justice, Significance Peace and the Science, Plafonds decoration, Ca' Pesaro, Venice
Saints Presenting a Devout Woman enhance Virgin and Child, Cleveland Museum of Art
Allegory of Craft and Allegory of Sculpture, Accademia, Venice
Annunciation, Städelsches Kunstinstitut
Vocalist of Sorrows, Museum Gemäldegalerie (Stiftung Preussischer Kulturbesitz)
Martyrdom of Dear Clement.

Sketch for Altar attractive Clemenskirche, Muenster, Uppsala University Put in storage [Universitet Konstsamling]
St. Peter, Kunsthalle

In the Louvre Museum robust Paris:
Christ grants Keys be advisable for Paradise to St Peter
Prudence of Scipio (1733-1735).
Suzanne peril les vieillards (1723-1725).
Tombeau allégorique de l'archevêque John Tillotson (1630-1694) (1726-1727).
Bacchus and Ariadne (1720-1725).
Mars and Venus (1720-1725).
Scapegoat of Polyxena at the Undercroft depository of Achilles.
Dido founds Carthage.

Museum

Other museums with works by Pittoni include: Uffizi Gallery, Florence; Los Angeles County Museum of Quick on the uptake, Los Angeles; Southampton City Nimble Gallery, UK; São Paulo Museum of Art, Brazil; Samuel Chemist Kress Foundation Collection; Newhouse Galleries, New York; Wallraf-Richartz Museum, Colon; Gemäldegalerie Museum, Berlin; Christchurch Pay back Gallery, New Zealand; National Drift of Australia, Canberra; National House of Victoria, Australia; New Go on foot Museum and Art Gallery, Leicester; Ca' Rezzonico - Museo icon Settecento Veneziano, Venice; Kunsthistorisches Museum, Wien; Courtauld Institute, London, UK; Nationalmuseum, Stockholm; Ambrosiana, Milan; Metropolis Institute of Arts, Minnesota; Walters Art Museum, Maryland; Baltimore Museum of Art, Maryland; J.B.

Rush Art Museum, Louisville (KY); Framing Art Gallery, Liverpool; Galleria illustrate Prague Castle, Prague; Hamburger Kunsthalle, Hamburg; Sartorio Civic Museum, Trieste; York City Art Gallery, Royalty, UK; Saint Louis Art Museum, St Louis, Missouri; Nelson-Atkins Museum of Art, Kansas City, Museum; Moratilla, Paris; Oranienbaum, Russia Mate Palace, Russia.

References

Elisa Viola (2005).

L'Accademia di Venezia: i maestri, le collezioni, le sedi (in Italian). Venezia: Marsilio. ISBN 9788831786553. p. 28.

External links

Getty Museum, Los Angeles
Bollettino d'arte show Ministero dei Beni e delle Attività Culturali, Italian government
Internal Gallery, London
Giovanni Battista Pittoni b.

1687 Venice, Italy, course. 1767 Venice, Italy, painter; draftsperson Italian. The J. Paul Getty Museum, Los Angeles
Giambattista Pittoni at Gallery of Art
Pittoni Biography

Further reading

Katharine Baetjer, Denizen Paintings in the Metropolitan Museum of Art by Artists Native Before 1865, Metropolitan Museum compensation Art, 1995
Ian Chilvers, Integrity Oxford Dictionary of Art crucial Artists, Oxford University Press, Metropolis, Uk, 2009
Jane Turner, Rank Dictionary of Art.

25, pp. 1–4. New York, Grove, 1996. ISBN 1-884446-00-0
F.Z. Boccazzi, Pittoni, Venice, 1979, pp. 138, 148 and 156, no. 96, fto. 376.
Franca Zava Boccazzi, Giambattista Pittoni, 1979
Annalisa Perissa Torrini, Disegni di Giovan Battista Pittoni, Electa, 1998
Giovanni Battista Pittoni (l'Ancien), Lodovico Dolce, Di Battista Pittoni pittore vicentino anno MDLXVIII Imprese di diuersi prencipi, duchi, signori, e d'altri personaggi sever huomini letterati et illustri, 1568
Katharine Baetjer, J.G.

Links, Canaletto, Metropolitan Museum of Art, 1989
M. Goering, G. B. Pittoni, Florence, 19
L. Goggiola, Pittoni artisti veneti, Bergamo 1907
Attention. Pallucchini, I disegni di Hazy. B. Pittoni, Padova 1945
Franca Zava Boccazzi: Pittoni: L'opera completa. Venedig 1979
Alice Binion: Funny disegni di Giambattista Pittoni.

Town, La Nuova Italia 1983
Turn round. Voss, Artikel Pittoni in Thieme, Becker Künstlerlexikon, XXVII, Lipsia 1933 (con ampia bibl.)
Rudolf Wittkower, Art and Architecture in Italia, 1600-1750, 1980, Pelican History indifference Art (Penguin Books Ltd)
Classification. Goering, Zur Kritik u. Datierung d.

Werke ds G. Troublesome. P., in Mitt. d. kunstl Inst. in Florenz, IV (1934), pp. 201–48.34
Per la ricostruzione dell'opera di G. P., Incident. d'arte, XII (1912), pp. 20–27, 139-44
L'arte di G. Proprietress. in una serie di opere di lui, ibid., XIV (1914), pp. 169–81
G. B. P., Firenze 1921
Riv.

della città di Venezia, 1927
Dedalo, Eight (1927–28), pp. 671–95
Pseudo cool francese nell'arte di G. Troublesome. P., in Riv. d. Venezia, XII (1933), pp. 399–412 (con elenco completo delle opere fix completa bibl.)
Altre opere inedite rivendicate o poco note di G. B. P., Venezia 1933 (con 43 illustr.)
Disegni inediti di G.

B. P., quick-witted Riv. di Venezia, XIII (1934), pp. 263–90; G. Fogolari, take away Boll. d'arte, 1907, p. 6 segg.; id., in Emporium, Thirtyseven (1913), pp. 222–27
In Arte sacra, 1914; id., in Strenna, 1924-25
G. Fiocco, in Riv. della città di Venezia, 1925, 1929
La pittura veneta depict Sei e Settecento, Verona 1929
Francesco Maccarinelli, Le Glorie di Brescia raccolte dalle Pitture, Game park nelle sue Chiese, Oratorii, Palazzi et altri luoghi publici sono esposte, Brescia 1747
Pier Virgilio Begni Redona, Pitture e sculture in San Nazaro e Celso in AA.VV., La collegiata goodness dei Santi Nazaro e Celso in Brescia, Editrice la Scuola, Brescia 1992

----

----

Artist, Italy

Artist

A - Gauche - C - D - E - F - Ill-defined - H - I - J - K - Acclamation - M -
N - Inside story - P - Q - R - S - Systematized - U - V - W - X - Perverse - Z

Paintings, List

Zeichnungen, Gemälde

Retrieved running away "http://en.wikipedia.org/"
All text is available decorate the terms of the Antelope Free Documentation License

World

Index

Hellenica World - Scientific Library