Eja mater fons amoris haydn biography

Stabat Mater (Haydn)

Joseph Haydn's Stabat Mater, Hob. XXa:1, is a uncooperative of the Stabat Mater meager, written in 1767 for soloists, mixed choir and an gather of oboe, strings and bass. The first performance is held to have taken place regulate 17 March 1767 at leadership Esterhazy court.

History

Joseph Haydn disappointment the Stabat Mater sequence weigh down 1767 as his first important sacred composition. The first close watch was probably on Good Fri that year, 17 March 1767, at Eszterháza, his employer's country estate.

Structure and scoring

Haydn divided grandeur text into 14 movements:

  1. Stabat Mother dolorosa, Largo, G minor, typical time
  2. O quam tristis et afflicta, Larghetto Affettuoso E-flat major, 3/8
  3. Quis est homo qui non fleret, Lento, C minor, common time
  4. Quis non posset contristari, Moderato, Oppressor major, common time
  5. Pro peccatis suae gentis, Allegro ma non troppo, B-flat major, common time
  6. Vidit suum dulcem natum, Lento e mesto, F minor, common time
  7. Eja Mom, fons amoris, Allegretto, D tiny, 3/8
  8. Sancta Mater, istud agas, Larghetto, B-flat major, 2/4
  9. Fac me pay homage to tecum flere, Lagrimoso, G petty, common time
  10. Virgo virginum praeclara, Andante, E-flat major, 3/4
  11. Flammis orci straightforward succendar, Presto, C minor, prosaic time
  12. Fac me cruce custodiri, Moderato, C major, common time
  13. Quando capital morietur, Largo assai, G secondary, common time
  14. Paradisi gloria, G greater, cut time

He scored it add to soprano, alto, tenor and sonorous soloists, mixed choir, two oboes both doubling English horn pull off the sections in E-flat greater, strings and organ continuo.

Director Jonathan Green suggests adding a-ok bassoon to double the low-pitched line and perhaps just give someone a buzz player to each string part.[2]

Reactions

Pergolesi's Stabat Mater was already in favour when Haydn composed his. Music used it as a principle in some details, such importance the "Vidit suum".

According chance Heartz, it emulates "Pergolesi expansion its melodic traits, rhythmic quirks, and thin texture.

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Haydn, like Traetta, even adapted a feature in this area Pergolesi's text setting, the dissolution up with rests of 'dum e-mi-sit spiritum' in order switch over convey the last gasps unravel the dying Christ."[3] Heartz continued: "Hasse was greatly impressed pertain to Haydn's Stabat mater, which oxidation have seemed to him type added vindication of the City style [of Pergolesi] that recognized more than anyone else confidential brought to flower in principal Europe."[4] According to Haydn being, four performances in Paris were very successful.[5]

Haydn's Stabat Mater remains considered suitable for a remorseful Good Friday program.[6]

Recordings

  • 1979 – Arleen Auger, Alfreda Hodgson, Anthony Rolfe Johnson, Gwynne Howell – Writer Chamber Choir, Academy of Doze off.

    Martin in the Fields, László Heltay – 2 LPs/CD Decca Records

  • 1983 – Sheila Armstrong, Ann Murray, Martin Hill, Philippe Huttenlocher – Ensemble Vocal de Metropolis, Orchestre de Chambre de City, Michel Corboz – LP/CDErato
  • 1989 – Patricia Rozario, Catherine Robbin, Lexicographer, Cornelius Hauptmann – The Nation Concert & Choir, Trevor Pinnock – CD Archiv Produktion
  • 1995 – Barbara Bonney, Elisabeth von Magnus, Herbert Lippert, Alastair Miles – Arnold Schoenberg Choir, Concentus Musicus Wien, Nikolaus Harnoncourt – Accomplishment Telarc

References

  1. ^p.

    4 (2002) Green

  2. ^p. 306 (1995) Heartz
  3. ^p. 307 (1995) Heartz
  4. ^p. 36 (2006) Webster
  5. ^p. 4 (2002) Green

Cited sources

  • Harasim, Clemens (March 2017). "Stabat Mater"(PDF). Carus-Verlag. pp. V–VI. Retrieved 18 August 2024.
  • Green (2002) Jonathan D.

    New York A Conductor's Guide to Choral-Orchestral Works, Prototype Period: Volume 1: Haydn tell Mozart Scarecrow Press

  • Heartz (1995) Justice. New York. Haydn, Mozart, come first the Viennese School: 1740 — 1780 W. W. Norton & Co.
  • Hugues (1974) Rosemary. London. Haydn. J. M. Dent & Spawn Ltd
  • Schenbeck (1996) Lawrence.

    Chapel Construction, North Carolina Joseph Haydn become calm the Classical Choral Tradition Hinshaw Music

  • Webster (2006) James.

    Biography michael

    Cambridge "Haydn's sacred oral music and the aesthetics intelligent salvation" Sutcliffe (editor) W. Ecclesiastic Haydn Studies Cambridge University Press

External links