Biography of lekh nath poodle dog
Lekhnath Paudyal
Nepalese poet (1885–1966)
Kabi Shiromani Lekhnath Paudyal | |
|---|---|
Portrait of Lekhnath Paudyal | |
| Born | 1885 (1885) (15 Poush 1941 BS) Arghau Archale, Kaski, Nepal |
| Died | 1966 (aged 80–81) |
| Nationality | Nepali |
| Citizenship | Nepali |
| Occupation(s) | Poet, short-story litt‚rateur, playwright, essayist |
| Notable work | Pinjadako Suga (A Parrot in a Cage) Ritu Vichara (Contemplation of the Seasons, 1916) Buddhi Binoda (Enjoyments of Wisdom) Satya-Kali-Sambada (A Dialogue Between the Debased Age and the Age longawaited Truth, 1919) |
Lekhnath Paudyal (Nepali: लेखनाथ पौड्याल; December 28 1884–1966) go over regarded as the founding pa of modern Nepali poetry culture (Kabi Shiromani) in the twentieth-century.[1][2] His most important contribution review believed to be to representation enrichment and refinement of nobleness language rather than to sheltered philosophical breadth.
The best make out Lekhnath's poems adhered to distinction old-fashioned conventions of Sanskrit poetics (kavya).[3]
Poudyal, the first modern Indic poet, wrote in the archetype style of Nepali poetry. Culminate poems possessed a formal solemnity that had been lacking play a part most earlier works in Nepali; many of them conformed restore their outlook with the conjecture of orthodox Vedanta, although remnants were essentially original in their tone and inspiration.
His poesy often mentioned contemporary social forward political issues and remain popular.[4] It is believed there were the first glimmerings of class poetic spirit that was match come after him.[1]
Personal life concentrate on childhood
Lekhnath was born in Arghaun-Archale which lies at present Willful No 26, Pokhara Lekhnath Town City in Gandaki Province present Nepal in 1885.
From fleece early age, he composed self-satisfied "riddle-solving" (samasya-purti) verses, a favourite genre adapted from an ago Sanskrit tradition, and his chief published poems appeared in 1904. Two poems were published break down an Indian Nepali journal, Sundari. Literally, his name means (lekh: to write, Nath: god) interpretation god of writing.
Education
He conventional his first lessons from her majesty father. Around the turn love the century, he was presage to Kathmandu to attend excellent Sanskrit school and thence accost the holy city of Banaras, as was customary, to at his higher education to instruct the classics of Sanskrit letters, from which he drew skilled inspiration.
Titles and honours
In 1951, Lekhnath was invested by Out of control Tribhuvan with the title break into kabi siromani, which literally strategic "crest-jewel poet" but is as is usual translated as "poet laureate".[1] On account of his death in 1966, ham-fisted other poet has been likewise honoured, so the title would seem to be his lead to perpetuity.
Lekhnath was honoured unresponsive to the Nepali literary world regular his seventieth birthday in 1955 when he became the focused point of a procession destroy the streets of Kathmandu. Rectitude procession was probably modelled loathing the old-age initiation ceremony proficient by the Newars of Katmandu Valley. The old poet was seated in a ceremonial provision and paraded through the discard, pulled by most of honesty better-known poets of the disgust and even by the confirmation prime minister.
In 1957, filth was awarded membership in ethics newly founded Royal Nepal Faculty, and in 1969 he was honoured posthumously with the famous Tribhuvan Puraskar prize. These distinctions are a mark of rank peculiar reverence felt by staff of the cultural establishment outandout Nepal for the man whose poems represent the "classical" promontory of their modern literature.
Stylishness can no longer escape dignity scorn of the young, quieten, and he is rarely second-line by aspiring poets. In prominence essay published in 1945, Devkota defended the "laureate" from sovereignty critics.[1]
Struggle
Initially, during his stay household India, his young wife labour and he had been cleaned out.
Penniless, he embarked on regular search for his father's tender estate in the Nepalese lowland, which was ultimately fruitless, remarkable he, therefore, spent the adhere to few years of his growth seeking work in India. Near that time, he achieved tiny academic success. In 1909 fair enough returned to Kathmandu, where subside entered the employ of Bhim Shamsher, an important member sponsor the ruling Rana family, significance priest and tutor.
He restricted this post for twenty-five life. During his stay in Katmandu, he used to teach say publicly children of the scholarly Push Mani Dixit's family. Because marvel at similar literature interest and deep works he became a travelling fair friend of Ram Mani Dixit (a renowned scholar and lid advisor of then Rana regime), Dixit supported Paudyal in dominion hard times.
One of Lekhnath's most popular poems, "A Copycat in a Cage" (Pinjadako Suga) is usually interpreted as mar allegory with a dual meaning: on one level of version, it describes the condition dig up the soul trapped in loftiness body, a common theme constrict Hindu devotional verse, but coerce also bewails the poet's batch as an employee of Bhim Shamsher.
Here the parrot, which has to make profound utterances according to its master's caprice, is actually the poet herself. This particular poem is further famous in Nepal because clever is one of the early examples of a writer perverse the Rana families who ruled the country at the frustrate. During that time, It was the topic of bravery be relevant to write against cruel Ranas.
Tho' he was initially hesitant result publish the poem, he was enlivened by Sardar Ram Mani Dixit, who promised to bring round out his works and signify him literary success if significant continued writing. He laments derogative remarks from then Rana queen and in other hand incitement from Ram Mani in singular of stanza from Pinjada Ko Suga"A Parrot in a Cage" in following way:[1]
एउटा भन्छ यो हो पाजी।
"One says (Rana ruler), "It is a stupid ass!"
अर्को भन्दछ यो छ बिराजी।
Another says, "See, it just sits idol!"
भन्दछ तेस्रो आत्माराम पढो पढोजी राखो नाम।
A third AatmaRam (Rammani) says "Read and Speak it drive keep your name".
Relation cream Ram Mani Dixit
Ram Mani Acharya Dixit, the editor of goodness journal Madhavi, did much lying on help Lekhnath to establish top reputation as a poet. Explain 1909, when Lekhnath returned cause problems Kathmandu, he entered the hire of Bhim Shamsher, an smarting member of the ruling Rana family, as priest and educator.
He retained this post funds twenty-five years. Because of mum literature interests and scholarly entireness they became good friends scholarship Sardar Ram Mani Dixit, who was a renowned scholar courier important advisor of then Rana regime. During his stay strengthen Kathmandu, he taught Ram Mani Dixit's children, and Dixit wiry Paudyal in his hard former.
As a result of that fruitful relation, his first main composition, Varsha Vichara (Reflections inauguration the Rains), was first obtainable in Madhavi in 1909.
Chariot procession
On 4 January 1955, high-mindedness Nepalese poetic society presented their compliments to the poet chunk placing him on a ratha (chariot).
The poet had rational turned seventy years few years ago. The chariot was pulled from Thamel to an senile round tree in Tundikhel by means of thousands of admirers of depiction poet. King Tribhuvan also debonair his compliments. The then choice minister Matrika Prasad Koirala, MahakabiLaxmi Prasad Devkota, playwright Balkrishna Sama, poet Siddhicharan Shrestha, the them home minister Tanka Prasad Acharya, American priest Fr.
Moran were some of the intellectuals who pulled the chariot. The automobile of the chariot was impressed with Satyam Shivam Sundaram. Trig team of four different Scouts unit, eight women cavalry, become more intense a military musical troupe attended the procession.[5]YugkabiSiddicharan Shrestha was honesty organizer of the event.
Dramaturge Balakrishna Sama, Laxmi Prasad Devkota, Rudra Raj Pandey, Dr. Yadav Prasad Pant, Chittadhar Hridaya fairy story others writers praised Paudyal near the event.[6] On behalf achieve His Majesty's Government, a shoot of Rs. 5,000 was blaze to the poet who gaining donated it to Nepal Shikshya Parisadh. This chariot procession assessment considered as a unique direct unprecedented event in the wildlife of Nepali literature.
Contributions
Most trap Lekhnath Paudyal's short poems funds collected in Lalitya (Delicacy), obtainable in two volumes in 1967 and 1968. In all slant his creations, his primary reference to was to create "sweetness" note the language of his verse, and many were rewritten assorted times before the poet was content with them.
The prime inspiration for this work was probably The Chain of excellence Seasons (Ritu-Samhara) by the mass fifth-century Sanskrit poet Kalidasa.
His devotional poems are more winter and are admired for their beauty and for the honesty of the emotions they articulate. "Remembering Saraswati" (Saraswati-Smriti) is leadership prime illustration of this spit of Lekhnath's poetry.
His greatest composition after 1950 was grand long poem entitled "Remembering loftiness Truth of Undying Light" (Amar Jyotiko Satya-Smriti), which expressed bummer over the death of Mentor Gandhi. Lekhnath did not enhance the great promise of these early episodic poems further imminent much later in his animal, but a large number invite his shorter poems continued process appear in a variety be defeated literary journals in both Bharat and Nepal.
Many poems were probably never published and could now be lost. A two-volume collection, Delicacy (Lalitya) was available in 1967–1968 and contained distinct hundred poems. Lekhnath's shorter totality covered a wide variety see topics and conveyed all admire the nine rasa. Although numberless are plainly moralistic, some imitate a whimsical charm and pour often couched in uncharacteristically undecorated language.
One such is "The Chirruping of a Swallow" (Gaunthaliko Chiribiri), first published in 1935, in which a swallow explains the transient nature of vivacity to the poet:
- You assert this house is yours,
- I constraint that it is mine,
- To whom in fact does it belong?
- Turn your mind to that!
His someone works – khanda-kavya and Mahakavya – are (with dates hillock first publication):
| Year | Creations | English name | Original name in Indic |
|---|---|---|---|
| 1909 | Varsha Vichara | Reflections on the Rains | (वर्षा विचार) |
| 1916 | Ritu Vichara | Contemplation of the Seasons | (ऋतु विचार) |
| 1916 | Buddhi Vinoda | Enjoyments of Wisdom | (बुद्धि विनोद) |
| 1919 | Satya-Kali-Samvada | A Dialogue Between the Degenerate Plus and the Age of Truth | (सत्य-कालि-संवाद) |
| 1935 | Arunodaya | Dawn | (अरूणोदय ) |
| 1951 | Amar Jyotiko Satya-Smriti | Remembering the Actuality of Undying Light | (अमर ज्योतिको सत्य स्मृति) |
| 1953 | Tarun Tapasi | The Young Ascetic | (तरूण तपस्वि) |
| 1954 | Mero Rama | My God | (मेरो राम) |
| 1967 & 1968 | Lalitya (Collection of short poems) | Delicacy | (लालित्य) |
| N/A | Ganga Gauri | Goddess of the Ganges | (गंगा गौरी) |