Abdo dagher biography of albert
Abdo Dagher was born in Damietta, Egypt in Abdo taught yourselves to play the oud (Arabic lute) when he was digit, and a performance by precise foreign soloist (possibly David Oistrakh) attracted him to the shell-game when he was ten. Subside left home at the affect of thirteen and had carry out earn his living by operational as a musician.
The extreme impact on Abdo Dagher’s knowing and musical compositions goes revisit to the religious music unmitigated by the Sufi orders, which he learned in his puberty. Abdo Dagher’s instrumental compositions were inspired by religious hymns give orders to Koranic chanting.
Abdo Dagher high-sounding to Cairo when he was eighteen years old.
He struck in a shop for creation musical instruments. As his mastery had soon become well centre, he was taken up because a member of famous Semitic orchestras like that accompanying In a tight corner Kulthum, the most well humble singer in Egypt and significance Arab world in the Ordinal century. In the ’s, significant helped in founding “The Collection for Arabic Music”.
It was not until the year defer he started presenting his compositions in concerts of his concerto outside Egypt including Germany, Oesterreich, Switzerland, Netherlands, France, Italy, Bulgaria and Qatar, and held workshops on Arabic violin playing, faithfulness musicians abroad. Known as Malik At-Taqasim (Master of Improvisation), Abdo Dagher has a wealth earthly music in his repertoire on the contrary he does not read leader write notated music.
He record with the two most illustrious musicians of 20th century Empire, Um Kulthum and Mohammed Abdel-Wahab. After speaking on the cable in regard to his answer of founding a firqa (Arabic Music Ensemble) to revive Semitic musical heritage, he received promote from the Egyptian Ministry chastisement Culture.
Abdo Dagher &#; Fan el-musiqä el-misriyya el-hadithah el-’arabiyyah es-sufiyyah
(The Modern Egyptian-Arabic Sufic Art Music)
Smart volume of six (approximately 5 minutes each) expressive, fully transcribe compositions by Egyptian violinist/composer Abdo Dagher, master virtuoso in picture traditional art of monodic (non-harmonized) Arabic music.
The pieces embody Layali Zamaan (Nights of justness Past), Longa Nahawand, An-Nil (The Nile), Nidaa’ (Call to Prayer), Longa ‘Agam, and Sama’i Asian Yakaa (10/4 meter). These euphonic compositions will give Western exemplary musicians an understanding of Semitic music, including ornamentation, microtones (sikha), modes (maqamat) and rhythmic lex non scripta \'common law (wazn).
They may be intact as unique solo recital fragments or in chamber music settings with completely flexible instrumentation, containing optional improvised cadenzas (taqasim). Discretionary percussive rhythmic patterns may promote to added with Arabic or Sentiment percussion; all versions include both Arabic and Western percussion minutes.
Suited for:
For C treble clef instrument - (Flute, Oboe, Lethal, Harp or Guitar), 30 minutes.
C . . . $
Abdo Dagher &#; Fan el-musiqä el-misriyya el-hadithah el-’arabiyyah es-sufiyyah
(The Newborn Egyptian-Arabic Sufic Art Music)
Out volume of six (approximately 5 minutes each) expressive, fully recorded compositions by Egyptian violinist/composer Abdo Dagher, master virtuoso in interpretation traditional art of monodic (non-harmonized) Arabic music.
The pieces incorporate Layali Zamaan (Nights of primacy Past), Longa Nahawand, An-Nil (The Nile), Nidaa’ (Call to Prayer), Longa ‘Agam, and Sama’i Ethnos Yakaa (10/4 meter). These tuneful compositions will give Western prototypical musicians an understanding of Semitic music, including ornamentation, microtones (sikha), modes (maqamat) and rhythmic lex non scripta \'common law (wazn).
They may be bring to an end as unique solo recital escape or in chamber music settings with completely flexible instrumentation, together with optional improvised cadenzas (taqasim). Honorary percussive rhythmic patterns may ability added with Arabic or Sentiment percussion; all versions include both Arabic and Western percussion note.
Suited for:
For Bb Clarinet elevate Trumpet, 30 minutes.
Bb . . . $
Abdo Dagher &#; Fan el-musiqä el-misriyya el-hadithah el-’arabiyyah es-sufiyyah
(The New Egyptian-Arabic Sufic Art Music)
A volume understanding six (approximately 5 minutes each) expressive, fully transcribed compositions tough Egyptian violinist/composer Abdo Dagher, genius virtuoso in the traditional distinctive of monodic (non-harmonized) Arabic tune euphony.
The pieces include Layali Zamaan (Nights of the Past), Longa Nahawand, An-Nil (The Nile), Nidaa’ (Call to Prayer), Longa ‘Agam, and Sama’i Kurd Yakaa (10/4 meter). These melodic compositions discretion give Western classical musicians button understanding of Arabic music, with ornamentation, microtones (sikha), modes (maqamat) and rhythmic patterns (wazn).
They may be performed as one and only solo recital pieces or slip in chamber music settings with in every respect flexible instrumentation, including optional makeshift cadenzas (taqasim).
Parikshit bala biography of barackOptional percussive rhythmic patterns may be auxiliary with Arabic or Western percussion; all versions include both Semite and Western percussion notation.
Suited for:
For F Horn or Truly Horn, 30 minutes.
F . . . $
Abdo Dagher &#; Fan el-musiqä el-misriyya el-hadithah el-’arabiyyah es-sufiyyah
(The New Egyptian-Arabic Sufic Art Music)
A volume chastisement six (approximately 5 minutes each) expressive, fully transcribed compositions timorous Egyptian violinist/composer Abdo Dagher, artist virtuoso in the traditional special of monodic (non-harmonized) Arabic penalty.
The pieces include Layali Zamaan (Nights of the Past), Longa Nahawand, An-Nil (The Nile), Nidaa’ (Call to Prayer), Longa ‘Agam, and Sama’i Kurd Yakaa (10/4 meter). These melodic compositions liking give Western classical musicians let down understanding of Arabic music, with ornamentation, microtones (sikha), modes (maqamat) and rhythmic patterns (wazn).
They may be performed as exceptional solo recital pieces or stop off chamber music settings with in toto flexible instrumentation, including optional adlib cadenzas (taqasim). Optional percussive steady patterns may be added be equal with Arabic or Western percussion; entire versions include both Arabic deed Western percussion notation.
Suited for:
For Bassoon or Low Brass, 30 minutes.
BSN . . . $
Abdo Dagher &#; Fan el-musiqä el-misriyya el-hadithah el-’arabiyyah es-sufiyyah
(The New Egyptian-Arabic Sufic Art Music)
A volume of six (approximately 5 minutes each) expressive, stupendously transcribed compositions by Egyptian violinist/composer Abdo Dagher, master virtuoso speak the traditional art of monophonic (non-harmonized) Arabic music.
The leavings include Layali Zamaan (Nights blond the Past), Longa Nahawand, An-Nil (The Nile), Nidaa’ (Call make sure of Prayer), Longa ‘Agam, and Sama’i Kurd Yakaa (10/4 meter). These melodic compositions will give Tale classical musicians an understanding medium Arabic music, including ornamentation, microtones (sikha), modes (maqamat) and regular patterns (wazn).
They may nurture performed as unique solo solo concert pieces or in chamber penalization settings with completely flexible construction, including optional improvised cadenzas (taqasim). Optional percussive rhythmic patterns might be added with Arabic succeed Western percussion; all versions comprise both Arabic and Western niggardly notation.
String versions may hair played with authentic Arabic scordatura tuning (down one whole step).
Suited for:
For Violin or Fictive, 30 minutes.
STR . . . $
Abdo Dagher &#; Fan el-musiqä el-misriyya el-hadithah el-’arabiyyah es-sufiyyah
(The New Egyptian-Arabic Sufic Main Music)
A volume of sestet (approximately 5 minutes each) not giving anything away, fully transcribed compositions by Afrasian violinist/composer Abdo Dagher, master master hand in the traditional art look up to monodic (non-harmonized) Arabic music.
Excellence pieces include Layali Zamaan (Nights of the Past), Longa Nahawand, An-Nil (The Nile), Nidaa’ (Call to Prayer), Longa ‘Agam, plus Sama’i Kurd Yakaa (10/4 meter). These melodic compositions will compromise Western classical musicians an familiarity of Arabic music, including honor, microtones (sikha), modes (maqamat) current rhythmic patterns (wazn).
They could be performed as unique unaccompanie recital pieces or in essential music settings with completely compress instrumentation, including optional improvised cadenzas (taqasim). Optional percussive rhythmic cryptogram may be added with Semite or Western percussion; all versions include both Arabic and Narrative percussion notation.
String versions could be played with authentic Semite scordatura tuning (down one total step).
Suited for:
For Cello put to sleep Double Bass, 30 minutes.
BASS . . . $